Category Archives: Duke Ellington

Revealing Ellington’s “The Clothed Woman”

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The original Columbia recording of Duke Ellington’s piano feature The Clothed Woman is from December 30th, 1947, and is available on “The Chronological Duke Ellington and his Orchestra 1947-1948.” Ellington had performed the piece a few nights earlier at Carnegie … Continue reading

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Last Night–One Attempt

So I tried it out again. I performed The Clothed Woman live with my trio last night. I played it last winter, but I didn’t feel comfortable with that performance. Last night it was better. Now I think I can end … Continue reading

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Posted in Duke Ellington, Free Jazz, Harmony, Jazz Composition and Analysis, Jazz history, Jazz piano, Solo piano, Theory and Harmony | Tagged , , , , , , , , , , | Leave a comment

More Revelations…

I’m getting a lot of hits on my post: “Revealing Ellington’s “The Clothed Woman” .  When I get a chance I’m going to have to fix a few typos/wrong notes in the transcription. I’m pulling this tune out on my … Continue reading

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Posted in Duke Ellington, Harmony, Jazz Composition and Analysis, Jazz piano, Solo piano, Theory and Harmony | Tagged , , , , , | Leave a comment

Steal this Score

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To follow-up on my post about Gil Evans’ piece Blues for Pablo (Blues for Pablo True to Form),  I confess I’m guilty of petty theft. In a few bars of a new piece, Gaslight, which I performed with my Tentet … Continue reading

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“Blues for Pablo”–True to Form

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After the Ellington study group last week, a few of us were hanging out having lunch. For 2.5 hours we were buried in the score of Gil Evans’ Blues for Pablo. I had struggled with one particular passage, so I … Continue reading

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