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I’d like to welcome composer and arranger Jack Cooper to Professorscosco as my first featured guest contributor. I’ve invited Jack to share with you some of his arrangements of Charles Ives’ music from his monumental 2014 release, Mists – Charles … Continue reading
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I’m revising a piece for my ensemble, perhaps for a recording in the near or far future. I’ve used “Take it Inside” in many posts because it’s a good example of linear harmony. It’s also free and I have the … Continue reading
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…the effect is fluid and free, almost like a composition is improvising with itself. I like this technique and I use it often. Thinking about strong lines and counterpoint first, and chords and harmonic movement second can make it all … Continue reading
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Let your counterpoint guide you and write from the top down. Don’t worry about chords until it sounds good. Think about the beginning and the end of the phrase and how you want to get from point A to point … Continue reading
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The layering of chords, with inner roots and strong voice leading are an important part of linear harmony; it’s a melodic way of writing with chords, and with apologies to Schoenberg and Debussy, a jazzy way of using “Klangfarbenmelodie”, or … Continue reading
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I started talking about linear harmony a while ago in “Lines Intertwining” (with apologies to Spinal Tap), and a few other Top-Down posts, like Melodic Pedal Points; in other posts I’ve discussed freeing up lines and counterpoint and not worrying … Continue reading
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Claude Debussy? Discuss…. Professorscosco is worn out by the holidays, a burning, but very cold rooftop New Years jazz gig, and a long bike ride today, and is thus not inclined at the moment to pontificate about music theory. But … Continue reading
Tagged arranging, claude debussy, composition, contemporary music, Harmony, improvisation, jazz arranging, jazz composition, jazz theory, music theory, Orchestration, scott healy
Originally posted on Today Is The Question: Ted Panken on Music, Politics and the Arts:
A recent press release from the Detroit Jazz Festival stated that 90-year-old Dave Brubeck, advised by his doctors that it would be a bad idea…
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We hear melodic pedal points all the time in blues, country, rock, jazz and classical…. it’s a complicated, jargony name for a simple concept: a note in the top voice repeats or sustains while other voices move underneath. A high … Continue reading
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You can give your writing rhythmic tension by varying the “groove” under a melody, melodic line, or syncopated figure. You can also create space for counterlines and more music material under, after and around your melodic figures. This adds a … Continue reading
Tagged arranging, composition, contemporary music, Harmony, jazz, jazz analysis, jazz arranging, jazz composition, jazz theory, linear harmony, music theory, Orchestration, scott healy