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I’d like to welcome composer and arranger Jack Cooper to Professorscosco as my first featured guest contributor. I’ve invited Jack to share with you some of his arrangements of Charles Ives’ music from his monumental 2014 release, Mists – Charles … Continue reading
As does “Mr. Holland’s Opus.” But, sorry, this abortion of a movie, “Whiplash”, is by far the worst music movie Professorscosco has ever seen clips of. It’s derogatory, inflammatory, insulting, and from what I hear, done non-union. How much more … Continue reading
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I had the opportunity to study with Manny Albam a few years before Allen, but his post on his blog brings back memories. – Scott September 3, 2014 Memories of Manny Albam By Allen Myers Reblogged by Scott Healy, October 15, … Continue reading
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I’m revising a piece for my ensemble, perhaps for a recording in the near or far future. I’ve used “Take it Inside” in many posts because it’s a good example of linear harmony. It’s also free and I have the … Continue reading
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…the effect is fluid and free, almost like a composition is improvising with itself. I like this technique and I use it often. Thinking about strong lines and counterpoint first, and chords and harmonic movement second can make it all … Continue reading
When you surround yourself with blazing musical and visual talent, this is what happens.
Gabe is a good friend, a filmmaker, writer and musician, and a longtime collaborator. He put this together using location footage from Jersey City, NJ, interviews, and live video from the recording session.
Preview the record at hudsoncityrecords.com, or at iTunes, Amazon and eMusic
Visit Gabriel’s website.
The professor is happy!
May 10, 2013
Tagged arranging, billy strayhorn, composition, duke ellington, jazz arranging, jazz composition, jazz theory, jazz videos, music, scott healy
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Let your counterpoint guide you and write from the top down. Don’t worry about chords until it sounds good. Think about the beginning and the end of the phrase and how you want to get from point A to point … Continue reading
I’m wondering about it crowd-sourcing. There are many ways to go. I want to do a project of varying sizes of ensembles, with some crossover classical/jazz elements, and some free jazz. “Serious” music. That’s what they used to call it … Continue reading
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The layering of chords, with inner roots and strong voice leading are an important part of linear harmony; it’s a melodic way of writing with chords, and with apologies to Schoenberg and Debussy, a jazzy way of using “Klangfarbenmelodie”, or … Continue reading